Ryne Doughty & Luke Fox 12/10/23 Byron’s Bar

Hear Set One Here:
Hear Set Two Here:
Hear Set Three Here:

Posters by Dave Hearn, Melissa Ryan, and Jim Hirschberg, Photos by Ashlee Cooper.

rainy day rain drop
recording by RDM







Chad Elliott, Weary Ramblers, Guests 12/3/23 Byron’s Bar, Pomeroy, IA

photo by Byron Stuart
photo by Byron Stuart
photo by Ree Irwin
photo by Ree Irwin

So a funny thing happened the other night. Byron had to cancel a show due to the performers backing out very late and he thought he didn’t have enough time to line up another act, and he posted that on Facebook.

Chad Elliott, who has recently moved to within striking distance of Pomeroy, replied, aw darn it, I was going to attend that show since I would be in town to deliver a painting. I was packing my bag, ready to walk out the door, and flashes of brilliant white light and loud classical symphony exploded around me.

Um, duh.

It took just a few minutes of classic social media exchange on Facebook and everybody put it together and there would be a show after all.

Super hardcore trooper Marie Farrell, who occasionally scares me 🙂 managed to coax her musician friend Walt Peterson into coming and he brought a case of harmonicas. This was promising to be a “different” kind of spontaneous night that can only happen in magical places.

Chad got started solo and unless he’d just written a bunch of new songs (inevitable) or wrote one as he played it on stage, I didn’t need to take a lot of notes, so I ducked into the back room where I can indulge in my dirty little tobacco habit. There was Kathryn. She has to travel farther than Chad, and was waiting for the right time to join him. Nobody knew she was there yet. Fun when that happens.

Except for the part where I had my input set for mp3 rather than wav (a reason for using two recorders) (and I think I got by with it anyway), the night proceeded to have its way with all of us.

Chad and Kathryn both took advantage of the situation by road testing some new stuff. And making a few mistakes. Human. Real. Priceless.

Without succumbing to the urge to review, here’s the night in three sets. Kathryn joins in set 2, Walt joins in set 2, and Walt and Marie join in set 3. This is the “raw” version, the edited version will eventually appear at Archive.org.

Hear Set One Here:

Hear Set Two Here:

Hear Set Three Here:

To access all of our Elliott recordings (so far, they’re not all up yet), click here:

rainy day rain drop
recording by RDM







Morningside University Dawn Of Redeeming Grace 2023 Christmas Program

Here Full Show Here:

Recordist’s Note: Hand held recorder, apologies for some bumps and rumbles.

eppley auditorium
rainy day rain drop
recording by RDM







Byron’s Bar N x BS, 2023 Forrest McCurren, Joey Tenuto, Mace Hathaway 10-22-23

byron's
photo from byrons-bar.com

This week Byron’s Bar had a three day festival, billed by Byron as: N x BS, like the Texas show SXSW. Only this one was North by BS, which of course means Byron Stuart. I think he so deemed it because it was an accident.

On my way the third afternoon (my son’s birthday, and yes, I called), I couldn’t help but notice the beauty of rural Iowa during harvest season. Except of course for the farm machinery on the blacktops and some slightly disturbing evidence of creatures that had been frightened out of the fields where they’d been hiding and subsequently been driven onto the hard surface roads, but hey, in the end, we’re all food.

I drove 390 round trip miles to attend, which was nothing compared to my friend Marie’s 600 miles.

What makes obsessives like Marie or myself do that? That’s expensive and exhausting. Sometimes you want a co-pilot and there isn’t one. I have heard every possible explanation under the sun which explains why people DON’T do that, but in my opinion, they’re all bogus.

We heard three acts probably most of my readers won’t recognize, The Forrest McCurry Duo, The Joey Tenuto Band, and Mace Hathaway, a solo act.

Until I find some talent of my own which could survive on a stage (I don’t play an instrument or sing), I don’t review. But I’d like to say I was transported by each act, each in their own way.

The nine sets from the three nights are posted below.

If the guy who owns the joint accidentally books shows three nights in a row, it is obvious that many people will pick and choose among those nights. The becomes ABUNDANTLY obvious if you’re there every time, and then for me, it becomes a guessing game: who are these people tonight and why are they here? I guess even though I know 90% of them fairly well.

For example, there are the Byron’s Dancers-a fairly static group who take to the somewhat tiny dance floor during the danceable numbers, often as singles, sometimes as couples. I have not been a dancer for about 28 years, due to some changes that took place at that time (I sobered up after drinking more than my quota for a couple of decades before that) but I admire the dancers. I USED to do that, sort of concert-style, clearing an area around myself so I could flail around more liberally than some others.

One night several years ago, Marty Enslow, a Des Moines guy with a radio show about Iowa stuff, and I were just in the process of meeting and a young dancing woman managed to pull Marty onto the floor over his protestations, and he danced around with her a bit. She was one of those twirl-me-back-and-forth types and that was obviously not Marty’s style and he escaped. He and I went back to conversation as we left it, but all of a sudden, there she was, in my face. I looked at her like what-the-hell lady and she admitted that yeah, I was the last guy in the place she’d asked. But I was already planning to break her of that hand-holdie shit and show her some freestyle interpretation when she said to me “wow, you really feel this stuff, don’t you?” She also made it obvious that she was trying to piss off the ugly guy that she was with by dancing with everyone in the place, so I escaped.

Byron mentioned that same thing last. There were a couple of Dead songs that Mace did which got me back out on the floor. I am not comfortable doing that stuff by myself-my former spouse wasn’t such a bad leaper and twirler herself. But it’s been a long time. I just remembered half of the act during some emotional trauma in early July. I remembered what to do with my arms, but not (yet) what to do with my feet. Byron mentioned that “you really feel it” thing. Of course I do, Winterland is coming up, I must practice.

It was interesting to string three days in a row like that. In the five years I’ve been going to the place it has only happened a handful of times. Maybe it’s my imagination, but it seems to me like the Frequent Fliers figure out how to bring all their trials AND tribulations to a show, dump them in a bucket and whoever can use whatever is welcome to it.

Except for the part where I suspect the NXBS might not have been financially successful (he said, conservatively), I would like to see that become a “thing” which might be periodically repeated. There are two motels nearby and a campground nearer-by. Just a thought.

Forrest McCurren Band

Hear Set One Here:

Hear Set Two Here:

Hear Set Three Here:

Joey Tenuto Band

Hear Set One Here:

Hear Set Two Here:

Hear Set Three Here:

Mace Hathaway

Hear Set One Here:

Hear Set Two Here:

Hear Set Three Here:

Byron’s Bar







rewind: Jordan Messerole & Casey Joe Collins 10/15/23 Byron’s Bar, Pomeroy, IA

Hear Set One Here:

Hear Set Two Here:

Hear Set Three Here:

poster
poster by Dave Hearn
rainy day rain drop
recording by RDM







10/17/23

Byron’s Bar, Pomeroy, IA

byron's
photo from byrons-bar.com

I thought I knew something about music – I really did. I was born at exactly the right time to be thirteen in 1964, I had various transistor radios and tried to memorize the top 40, I became old enough to drive a car and listen to the radio, I joined a record club, I went to college and discovered that I knew nothing, started over again and memorized the top 100 FM lists, I bought a big stereo and started a record collection, ultimately accidentally starting a record store that I ran for 14 years, went to a lot of Grateful Dead shows, did all the stuff.

Then, after decades of training I discovered Byron’s Bar, Pomeroy, IA (pop. 700) and once again came to believe that I knew next to nothing.

The Rolling Stones have never played at Byron’s Bar, the crown jewel of Iowa listening rooms, located in Pomeroy, Iowa, population around seven hundred.

None of those stadium acts have ever played there, including the Grateful Dead, despite the fact that the Des Moines Register deemed the place “the Deadhead capital of Iowa” in 2015, because the venue boasts a large collection of Grateful Dead memorabilia everywhere you look. Of course, the Dead were never going to play there anyway, since Byron opened the place roughly a year after that band ceased to exist.

Don’t let the Deadhead thing fool you – a few Dead-inspired bands have performed there over the years, but the listening experience there is much broader than that, featuring weekly shows by troubadours ranging from singer-songwriters, folkies, rockers, blues artists, country types, and some who defy categorization, from all over the country and some international destinations. And “listening experience” is emphasized. You’re likely to get scolded if you’re accustomed to disrespecting the artists while they’re playing. Many of them remark that they’re rarely afforded the attention that they get at Byron’s.

The bar itself, at about 1500 square feet, occupies a building that’s over a hundred and twenty-five years old on a street where there’s virtually nothing else except a post office. If you can FIND Main Street, which is a couple of blocks off the highway where many of the local businesses are, Byron’s is on the north end at 112 Main, easily identifiable by the dancing bears on the sign outside, and by the only cars parked along the curb.

Despite seating for around a hundred people, national acts have been known to stop there – Byron likes to mention Todd Snider, Canned Heat and Kinky Friedman to name a few. Well known Iowa artists appear there somewhat regularly. Sunday 5 P.M. shows are the norm, but Byron recently mused that he needs a secretary because sometimes he books additional shows on Saturdays, Fridays or even Thursdays although Thursdays are usually reserved for local singer-songwriter nights or informal jams.

The atmosphere is what now seems to be called “Iowa Nice”. Newcomers will usually be spotted and identified as “Byrons virgins” (in a nice way of course) and will soon discover that the place holds “drawer-ings” during intermissions, at which time Byron awards small prizes, perhaps the most popular of which is the wooden back scratcher, dated and signed by Byron. Also highly sought after is the green plastic Menard’s bucket, often autographed in black Sharpie by nearly everybody in the place.

Hungry? Don’t expect designer burgers or other fare that’s going to drive up your (usually) fifteen dollar investment to get into the place. Byron’s offers Pasquales (a local brand) pizzas from up the road a piece, microwave popcorn and potato chips. It’s all about the music, but if you do go after the pizza, it’s likely that somebody nearby will offer you some of theirs whether they know you or not.

If you’re new, come early and Byron will probably personally greet you, fill you in on some local history about the venue and others will pick up where he left off as he begins to get busy.

It’s all about the music. It’s easy to hobnob with the bands, and if you’re inclined to pick up a souvenir, most of them bring merchandise consisting of CDs, records and t-shirts and the like which they’re almost always happy to autograph. Whether you’re spending money or not, it used to be possible to pick up a poster by the late Mark Gerking, the area artist who provided them for every show for years.

Traveling to get there (and many do)? Accommodations can be found about 20 miles north or south. REALLY traveling (and some do)? Some fans have been known to charter flights into the Fort Dodge airport, about 30 miles away.

Byron’s is a church of sorts without a denomination or sermons outside of the shut-up-and-listen sermon, and the spiritual experience among the regulars and the artists is truly unusual.

When you’ve been there once, you are forever left without an excuse for failing to repeat that. It’s the center of the Universe.







Rewind: Weary Ramblers, Byron’s Bar, Pomeroy, IA 9/17/23

These are the “raw” recordings from my mics which may be edited for the Archive version. I used two sets of mics; this is from the pole up by the ceiling.

Hear Set One Here:

Hear Set Two Here:

Hear Set Three Here:

poster
Poster By Dave Hearn
Rainy Day Music Logo







Anana Kaye & Irakli Gabriel 9/10/23 Byron’s Bar, Pomeroy, IA

Tired of classic rock/alt country/pop jazz/mediocre folk?

Hear Set One Here:

Hear Set Two Here:

Hear Set Three Here:

poster
poster by Dave Hearn
poster
poster by Melissa Ryan
rainy day rain drop
recording by RDM







Rewind: Cedar County Cobras & Todd Partridge 9/3/23 Byron’s Bar, Pomeroy, IA

(you kinda had to be there. these are the raw unedited tracks with some pauses that will be removed from the sliced-and-diced version at Archive. )

Hear Set One Here:

Hear Set Two Here:

Hear Set Three Here:

poster
poster by Dave Hearn
poster
poster by Melissa Ryan
rainy day rain drop
recording by RDM